Through the years, we have worked on over 50 features, television movies, and series.  We’ve also made tens of thousands of spots and brand marketing media for our agency & corporate clients:

  • Fain & Tripp
  • Mountain View Group
  • BBDO
  • Big Table Agency
  • Bigelow Advertising
  • The Richards Group
  • Grey Advertising
  • 22 Squared
  • TD Ameritrade
  • AutoTrader Group
  • Yamaha Motor Corporation, USA (Watercraft)
  • Charbroil
  • GE Energy
  • Home Depot
  • Coca-Cola
  • Time Warner Cable
  • Comcast

Below is a list of selected credits and you can also check out our IMDB page for additional credits.

  • Human Flight 3D
  • Level Up (Cartoon Network)
  • Van Wilder Freshman Year (Paramount)
  • Tyler Perry’s House of Payne (TBS)
  • The Signal (Magnolia)
  • Venus & Vegas
  • Dance of the Dead (Lionsgate/Ghost House)
  • Three Can Play that Game (Sony)
  • Sports Illustrated at 50 (ESPN)
  • BET Hip Hop Awards (BET)

“Working with LAB on BABY BLUES was one of the best experiences I have had color timing a feature film. They helped me build on what I had captured in camera to create a look that made me feel that all of my efforts on the field were worth it.”
Matthew MacCarthy – Cinematographer

“In short, I am telling you what I tell my peers in Los Angeles – Use LAB. Period. From the spaces, to the machines, to the people, you will be happy and productive.”
Jimmy & Dennis Hill, Editors, Fatwa

“LAB has been an integral part of the POPfilms team for our last two feature films, LAST GOODBYE and THE SIGNAL. From pre-production, to developing the workflows, to creating the codec to import footage from a brand new camera into the Avid, LAB is the kind of company that enables filmmakers to be successful.”
Alex Motlagh, Producer and Founder, POPfilms (Single Ladies, The Signal)

“Not only did the LAB professional service team provide excellent creative service, they also reduced the overall cost of the project.”
John Carter, Director, Fatwa

“LAB offered the complete package, which was instrumental
to our success with the “House of Payne” series.”
Roger Bobb, Supervising Producer, Tyler Perry’s House of Payne

I met Pete (Ballard) at the Atlanta Film Festival. I had just finished Anne B. Real. He showed me the demo, and I thought it was great. It showed their extensive experience in color correction and HD. At the time, I was doing a lot of research in Georgia, and it all just fit together…” “…My favorite thing about the LAB is that everybody has the same peaceful vibe and is on the same page. There is a real collaboration, a real team atmosphere. I totally feel at home there. I get excited to go to work there. When we have a project in the LAB it becomes my home away from home. You can tell they care about the projects they’re working on. Pete and the marketing team have been instrumental in getting us in front of distributors and helping us network. Their contacts became my contacts.”
Lisa France, Director, The Unseen & Love and Suicide

“Given our tight deadline the deciding factor in choosing a post-production house
was the ability to seamlessly handle multiple audio and video streams. LAB
601 gave us all the firepower we needed and their staff went above and beyond in
making our project a success. When you add in the fun environment- I’m looking
forward to working with LAB again.”
Marc Lucas, Executive In Charge of Production, John Cossette Productions 

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